LOCATION AS A CHARACTER IN A NOVEL by J.L.Greger





Location as a Character in a Novel

Murderers and thieves aren’t born bad. Their environment shapes their basic inherent characteristics (genetically derived) into criminals. We are all products of both nature and nurture. Accordingly, locations are characters in all of our lives.

I wanted to show how sloppy practices can morph into criminal activities (embezzlement, abuse of animals, perjury), and these “small” crimes can escalate into murder in the right permissive environment. In She Didn’t Know Her Place, State U provides the right environment for nurturing wrong-doing. This red-brick state university was a sleepy place in the 1950s. Then the ambitions of a few to make it more competitive led to shortcuts. The result is this college looks in good shape on the surface, but the foundations of most building are badly cracked. The buildings are often drafty because of poor maintenance. In other words, the state college is a character in this mystery. It’s deceiving pretty front hides major flaws.

Now think about your novels. Have you developed your locations to be characters?

Although we all enjoy reading novels set in exciting locations—a space station of the future, the Freedom Trail in Boston, or Qatar. Any location can become intriguing.

A location, like any other character, needs to be multi-dimensional to be interesting. Decrepit, deserted houses and dark, damp basements bode evil in mysteries and ghost stories but are often trite. Contrasts generally make a location more interesting. For example, Jaws would have been less exciting if the location was a rocky beach instead of a crowded, sunny tourist attraction. Marilyn Meredith (our host) has shown political graft and many other nasty secrets in the sleepy, but friendly, community of Rocky Bluff.

Have fun making the location of your next novel nurture the basic characteristic (good and bad) of your other characters.

Blurb: Would you rather be fired or face criminal charges? In She Didn’t Know Her Place, Dana Richardson faces that dilemma in her new job at a state university in New England. A research center, which reports to her, is falsifying data to help industrial clients meet federal pollution standards, and the last woman who tried to investigate the problem died under suspicious circumstances.

Available in paperback and Kindle: http://www.amzn.com/1979733112



Author: J. L. Greger is a biology professor at the University of Wisconsin-Madison turned novelist. She likes to include tidbits of science in her thrillers and mysteries.

Her newest mystery is She Didn’t Know Her Place. Her other books include: Riddled with Clues (Finalist for a 2017 NM/Arizona book awards) and Murder: A New Way to Lose (winner of 2016 Public Safety Writers Association [PSWA] contest and finalist for a 2016 NM/ Arizona book award).

She focuses on families in her short stories. She has published two collections of stories: The Good Old Days? and Other People’s Mothers (finalist for a 2017 NM/Arizona Book Awards).

Learn more at her website: http://www.jlgreger.com








Comments

Location can be so important in a novel. Great post, Janet!
J. L. Greger said…
Thanks Marilyn for hosting me. I hope your readers find this blog thought provoking.
Janet
Thonie Hevron said…
Along with setting, weather typical for the setting can enhance your setting. In She Didn't Know Her Place, you take the reader through a whole year of weather (winter providing the means to kill someone, too!). In my last novel, With Malice Aforethought, the summer setting is "complimented" by wildfire season in California. I wrote the book a year before the Wine Country Fires, and still find that truth is more amazing than anything I could make up. Nonetheless, setting and it's weather are characters.
Good post, Janet!

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